Bonheur Hanging Lamp

€822,00
Tax included
System
Description

Bonheur, a pendant lamp for indoor and outdoor use. It has a diffuser made of two polyethylene parts, created by rotational moulding, and a structure in grey painted metal. The white matte of the polymer spreads the light softly, creating a contrast with the deep grey of the structure. Designed for outdoor use, this pendant is made of impact-proof polyethylene and has a wide base for increased stability. The lamp is in the category of lighting by Serralunga, and is also available in a floor lamp. Designed by Michele De Lucchi, it is a beautiful example of Italian interior design.


Features

Material: Made from LLDPE (linear low-density polyethylene)

Production method: Rotational molding

Suitable for outdoor use and all-weather resistant. UV protection, 100% recyclable material, solution dyed. High degree of mechanical strength and resistance to impacts. Resistant to temperatures, minus 35°C plus 80°C.

Dimensions

lenght: 56 cm
width: 56 cm
height: 80 cm
weight: 5.78 kg

Care Intructions

To remove dust and dirt from the surfaces of the product you will need to periodically clean with a damp cloth soaked in common detergent or soap and rinsed with water.
The products with a lacquered finish are more sensitive to scratches; for this reason use a polish cleaner, gently cleaning with a soft tissue.

Avoid the use of heavy chemicals. Avoid the use of ethanol or any liquid containing, even in small amounts, acetone, trichloroethylene and ammonia (solvents in general).

Shipping information

Our products are produced on demand. The average production time is 10 business day for standard products and 20 business days for Moleskin products.

Once the products are ready, they are shipped either with standard boxes or on single or double pallet depending on the size.

Standard delivery time: 4-5 days depending on your location.

With this approach Serralunga follows a sustainable approach on production and stock management.

INTRODUCING

Michele De Lucchi

After the criticisms and the confirmations, the exaltation of design and the conclusion of Memphis, Michele De Lucchi founded Produzione Privata, taking up the urge for change that was in the air at the turn of the ‘90s.
Aware of the gap that had been created between design and production, he set out to rediscover the role of the architect as an intellectual who conceives and fulfils his projects with a more responsible approach to the quality and beauty of things.
What had started as a small-scale craft-oriented production of experimental projects traced by his pencil very soon proved to be an opportunity to make objects using technologies on the margins of industrial production, but treated within the logic of series.